As a person of Hong Kong Chinese and White Australian mixed-race heritage, Nolan Ho Wung Murphy delves into subjects of cultural and racial 'in-between' spaces, where one's sense of identity is liminal, ambivalent and 'greyed'. Murphy manifests such 'greyed' spaces through black and white film photography of large scale ink cloth work, transforming them into nebulous floating entities and blurring the lines between the cultural, racial body and landscape.