Natalia Stojevski's work is a reverential study of the everyday and an exploration of agency in objects. Often left raw, she collects objects and moments, rearranging them to create installations which hold an uncanny familiarity and sense of nostalgia. By reconfiguring the disengagement of everyday experiences through an intimate portraiture of mundanity, object and image converge in old and new ways as Stojevski playfully experiments with exhibition modes. Stojevski's practice oscillates between the seriousness of academia as demanded by institutional degrees, and a playful humour needed to survive them.